Wednesday, November 6, 2013

More Hamlet - Act III Analysis.


Within in the third act of Shakespeare’s play, “Hamlet”, the main character, Hamlet, contemplates suicide following outrageous events in the previous acts. This famous soliloquy, “To be or Not to be”, displays Hamlet’s inner confliction on living and dying, and whether it is in his best interest to be dead versus alive.
Whether ‘tis nobler” to put up with life’s hardships, and all that lady luck throws ill in his direction, is, in short, the question. Hamlet then juxtaposes dying and sleeping “To die, to sleep”. By this, he means that there is no difference. Dying is an indefinite form of sleeping; dreams occur once the dead have reached the afterlife. This is where uncertainty begins to prevail. To convince himself of not being, he states “For who would bear the whips and scorns of time. Th’ oppressor’s wrong.” Who would put up with the difficulties of life, the corruption and misconduct from leaders, and those that are superior? Who would deal with heart break, “insolence of office” and so on?

Again, swaying back and forth the idea of both life and death, Hamlet thinks positively. “But that the dread of something after death, The undiscovered country from whose bourn No traveler returns.” Essentially, the young prince exhibits his fear for the unknown. His father, in act 1, describes (whether out loud, or to himself) the never ending trail he walks, from purgatory to earth, day and night. For this very reason, the end, or the unknown, is terrifying to those that have no indication of what will happen once death occurs. “Thus conscience does make cowards of us all, and thus the native hue of resolution Is sicklied o'er with the pale cast of thought.” The mind it over thinks, makes men afraid, makes them cowards to their own earth. Deep thought is what ruins the plan; deep thought is why Hamlet cannot kill himself, he is too afraid of what will occur after death. Hamlet has officially, after much open thought, decided that is better to live than to die. Following this part of the speech, Hamlet notices Ophelia arriving, and is quiet with his thoughts. 

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